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Algaze

Mario Algaze o el asombro como poética del desarraigo

Por: Willy Castellanos “Vende tu inteligencia y compra asombro:
 la inteligencia es mera opinión, el asombro es intuición” Buda No es casual que fuera precisamente en México –país de una profunda tradición documental en la fotografía- donde Mario Algaze (La Habana, 1947) le imprimió un viraje decisivo a su obra y por ende, a su […]

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Collaborative Art Projects: Milton Becerra, Claudio Perna and Luis Villamizar | Art Media, Miami | Arte al Día International, July 2015

By Willy Castellanos The relations between ephemeral art and the creation of new paradigms in photography, as well as the history of artistic investigation in the Venezuela of the 1970s – a key period for Latin American contemporary art – is the theme of Proyectos Colaborativos de Arte (Collaborative Art Projects), the new exhibition organized […]

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“Why Shoes?” Rétrospective de Xavier G-Solís | Musée international de la chaussure de Romans

10 avril – 25 octobre 2015 Texte pour le catalogue de l’exposition par Adriana Herrera, PhD.   « Lorsque nous mourrons, nous sommes la somme des pas que nous avons faits, ni plus ni moins » (Xavier-G-Solis).   L’omniprésence de l’idée archétypique de la chaussure dans l’œuvre de Xavier G-Solís pourrait remonter à la mémoire de l’enfant […]

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Astrid Fitzgerald: Emerging Symmetries

By Adriana Herrera Téllez, Ph.D. (Essay for the exhibition catalog | Art Nouveau Gallery, Miami. January 2015)   “For everything in which spirit has objectified itself contains something that is common to the I and the Thou”. Wilhem Dilthey   “We must trust the perfection of the creation so far as to believe that whatever curiosity […]

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José Antonio Navarrete. Art Media, Miami.

Arte al Día International | Dec. 2014 By Willy Castellanos Translation Cora Sueldo. In an interview published in A Brief History of Curating, Lucy Lippard outlined certain motivations and challenges associated to critical thinking: “I’ve always been attracted by the impossibility of writing about visual art and that’s what tempted me to do it.” Perhaps […]

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